etheral Posted May 26, 2004 Share Posted May 26, 2004 i bought the game hit the road but without the security codes can some1 help me plz:vadar: Link to comment Share on other sites More sharing options...
toenail1 Posted May 26, 2004 Share Posted May 26, 2004 hmmmm.... did you buy it on floppies, cuz my cd-version doesnt have a copy protection system, so i dont need the codes otherwise, i think LEC will give you them for a fee, just as long as you can prove that you bought the game (i think they still do that) Link to comment Share on other sites More sharing options...
Ray Jones Posted May 26, 2004 Share Posted May 26, 2004 buy it again, with security codes. err.. yes. Link to comment Share on other sites More sharing options...
Skinkie Posted May 27, 2004 Share Posted May 27, 2004 Contact LucasArts. I recommend doing it through their site. Don't ask here as it's illegal. Link to comment Share on other sites More sharing options...
Jake Posted May 27, 2004 Share Posted May 27, 2004 Play the game using ScummVM Link to comment Share on other sites More sharing options...
Samnmax221 Posted May 27, 2004 Share Posted May 27, 2004 No ilegal or they'll deport you agian! La Meegra! La Meegra! Link to comment Share on other sites More sharing options...
SyntheticGerbil Posted May 29, 2004 Share Posted May 29, 2004 Plz. Like most other people, engineers are creatures of habit and convention. When we think of frequency-conscious compression, the first thing that pops into our minds is de-essing vocals. Not surprising, as this is arguably the most common application for the technique. But there are many others, and if we think outside the box, we can discover ways to use frequency-conscious compression to tame boomy acoustic and electric bass guitars and cello, blaring vocals and ear-splitting wind instruments. Much of this is familiar to veteran engineers, but let’s look at some refinements that should at the very least jar your memory and tune up your chops. Some1 PLZ reprt me. Link to comment Share on other sites More sharing options...
Ray Jones Posted May 29, 2004 Share Posted May 29, 2004 is that a new voice sean? .. besides.. here were i live "plz" means postleitzahl. .. Link to comment Share on other sites More sharing options...
JanB Posted June 1, 2004 Share Posted June 1, 2004 But they would write ZIP instead of PLZ when they'd try to shorten Postleitzahl. J. Link to comment Share on other sites More sharing options...
Samnmax221 Posted June 4, 2004 Share Posted June 4, 2004 This is called a moronic post A new person posts see's that he's well on the road to having a brick thrown through his window and never posts agian Link to comment Share on other sites More sharing options...
edlib Posted June 5, 2004 Share Posted June 5, 2004 Originally posted by SyntheticGerbil Like most other people, engineers are creatures of habit and convention. When we think of frequency-conscious compression, the first thing that pops into our minds is de-essing vocals. Not surprising, as this is arguably the most common application for the technique. But there are many others, and if we think outside the box, we can discover ways to use frequency-conscious compression to tame boomy acoustic and electric bass guitars and cello, blaring vocals and ear-splitting wind instruments. Much of this is familiar to veteran engineers, but let’s look at some refinements that should at the very least jar your memory and tune up your chops. I actually understood all of that. I have "de-essed" a squeaky acoustic guitar track or two, as well as some truly hideous vocals. Link to comment Share on other sites More sharing options...
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